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ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
ARTICLE
Throw Your Watch to the Water
By
Lucy Reynolds
ARTICLE
Risk Space for Invention
By
Susan Benn
ARTICLE
Celluloid Singapore
By
Ben Slater
ARTICLE
Getting it on
By
Ben Slater
SCRIPT
Script and Script Again
By
Malcolm Mowbray
ARTICLE
Adequate Imagery
By
Paul Cronin
ESSAY
On Being Thompson
By
Dai Vaughan
ARTICLE
The Hills Are Alive
By
Kieron Corless
ARTICLE
Guy Maddin’s History of Cinema
By
Fergal Byrne
REVIEW
Video Art
By
Catherine Elwes
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
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