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Le Jour Se Lève
Black Orpheus
Close-Up on Chantal Akerman
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
ARTICLE
Newsflash
REVIEW
From Russia with Love
By
James Norton
ESSAY
A Joyful Noise
By
Owen Armstrong
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ARTICLE
Cultural Exception, OK?
By
Michael Chanan
ARTICLE
Adequate Imagery
By
Paul Cronin
ESSAY
On Being Thompson
By
Dai Vaughan
ARTICLE
Telling it Like it Is: A Report from the Sheffield International Documentary Festival
By
Holly Aylett
ESSAY
The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952
By
Louis Benassi
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
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