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ARTICLE
The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency
By
Steve McIntyre
ARTICLE
Kinoteka: Notes Towards London’s Sixth Polish Film Festival
By
Nancy Harrison
Georgia 100: Film/Fest/Feast
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
Athens Now: Radical Film from Contemporary Greece
ARTICLE
Fajr Film Festival Diary, Iran
By
Michael Chanan
SCRIPT
Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006
By
Tanya Singh
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
ARTICLE
Film sans Frontières
By
Metin Alsanjak
Aperture: Asia & Pacific Film Festival
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
INTERVIEW
Death Cultures, the Occupied Territories and Film
By
Avi Mograbi
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
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