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ARTICLE
Marvo Man
By
William Fowler
REVIEW
The Headless Woman
By
David Sin
ARTICLE
The Ballerina Ballroom Cinema of Dreams
By
Mark Cousins
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
ARTICLE
Cobra Mist: Emily Richardson and the Legacy of Orford Ness
By
Will Stone
REVIEW
Eye Candy or New Indie Cinema?
By
Holly Aylett
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
REVIEW
Situationism Now
By
David Pinder
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ARTICLE
In the Past, they Did Things Differently (or Did they?)
By
James Leahy
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
REVIEW
A Cut Above
By
Catherine Elwes
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
REVIEW
Andrew Kötting’s Gallivant
By
Gareth Evans
ARTICLE
Breaking Boundaries, Expanding Horizons
By
Rumbi Katedza
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