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Director: Hiroshi Teshigahara

REVIEW

The Main Course

By the Celluloid Liberation Front

ARTICLE

All in the Script? Then Why Make the Movie!

By James Leahy

FILM

Il Bell'Antonio

Director: Mauro Bolognini

ARTICLE

The Memo Book: The Films and Video of Matthias Muller

By Stefanie Schulte Strathaus

ARTICLE

Hello Fruitfulness

By Simon Cropper

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Au Contraire: Jean-Luc Godard

Close-Up on Orson Welles

BIOGRAPHY

Remembering Margaret Tait (1918-1999)

By Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood

Close-Up on Ingmar Bergman

Film Course: Abbas Kiarostami – Poetic Solutions to Philosophical Problems

INTERVIEW

Life as it Is

By Mar Diestro-Dópido

ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles

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Accattone

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Antonio Gaudi

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The Main Course

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All in the Script? Then Why Make the Movie!

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The Memo Book: The Films and Video of Matthias Muller

ARTICLE

Hello Fruitfulness

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Au Contraire: Jean-Luc Godard

Close-Up on Orson Welles

BIOGRAPHY

Remembering Margaret Tait (1918-1999)

Close-Up on Ingmar Bergman

Film Course: Abbas Kiarostami – Poetic Solutions to Philosophical Problems

INTERVIEW

Life as it Is

ARTICLE

Joined-up Reading: The Problem of Subtitles