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ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

Modern Ruin: The Future is Already Here

By Grant Gee

ARTICLE

Kate Adams: Feeling and Knowing

By Catherine Elwes

QUESTION AND ANSWER

Bearing Witness... Tony Garnett on Cops, Community and the TV Audience

By M.K. MacMurraugh-Kavanagh

ARTICLE

In the Past, they Did Things Differently (or Did they?)

By James Leahy

REVIEW

A Cut Above

By Catherine Elwes

ARTICLE

UbuWeb: The YouTube of the Avant-Garde

By James Norton

ARTICLE

Emotional Locations: A Meeting with Ryuichi Hiroki

By Maggie Lee

ARTICLE

The Films of Peter Whitehead

By Robert Chilcott

POEM

Vision Field: Four Poems by Jeremy Reed

By Jeremy Reed

ESSAY

The Hour of the Furnaces: Crafting a Revolutionary Cinema

By Mariano Mestman

INTERVIEW

After the Garden

By Julian Ross

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ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

ARTICLE

Modern Ruin: The Future is Already Here

ARTICLE

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QUESTION AND ANSWER

Bearing Witness... Tony Garnett on Cops, Community and the TV Audience

ARTICLE

In the Past, they Did Things Differently (or Did they?)

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A Cut Above

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UbuWeb: The YouTube of the Avant-Garde

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Emotional Locations: A Meeting with Ryuichi Hiroki

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The Films of Peter Whitehead

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After the Garden

In Memoriam: Andrei Tarkovsky

Paths of Glory

Take Two: Beau Travail / Pola X