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INTERVIEW
Antonio Campos Interviewed
By
Mark Stafford
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Moving Memories: Variety
By
Ian Breakwell
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
REVIEW
A Cut Above
By
Catherine Elwes
ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
ARTICLE
Vertigo and RePossessed
By
Nick Haeffner
ARTICLE
Smoking Cabinet
By
Claire Cooke and Simone Pyne
ARTICLE
Time Unfolding: Picture This and the Production of the Image
By
Lucy Reynolds
QUESTION AND ANSWER
Remake
Close-Up on David Lynch
Close-Up on Hal Hartley
The King Is Not My Cousin
L'argent
Our Mother's House
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