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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
On the Po
By
Rosy Rockets
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
Controlled Collisions
By
Tony Grisoni
BIOGRAPHY
Remembering Margaret Tait (1918-1999)
By
Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
ARTICLE
Africa in Motion
By
Mark Cousins
LETTER
There Will Be no Cinema in Utopia
By
John Jordan
ARTICLE
Germany in Autumn
By
Pepe Petos
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
Close-Up on Ingmar Bergman
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
DOCUMENT
Counterpoint: Three Movies, a Book and an Old Photograph
By
Don DeLillo
ARTICLE
Emotional Locations: A Meeting with Ryuichi Hiroki
By
Maggie Lee
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