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Studies in Movement: Experiments by Three Filmmakers
International Workers’ Day: Class Relations
ESSAY
Kira Muratova’s Searing World
By
Elena Gorfinkel
Never on Sunday
The Idiots
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture
By
Vahid Valizadeh
ARTICLE
Back Where We Come From...
By
James Leahy
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ARTICLE
That Luminous Medium of Desire
By
Tanya Krzywinska
REVIEW
Dreyer
By
David Rudkin
Close-Up on Jean-Luc Godard
New Zealand Artists’ Film: This is not Film-making
Essential Cinema II
Love in the Afternoon
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