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F for Fake
Salò, or the 120 Days of Sodom
Tsuchimoto Noriaki: Film Is a Work of Living Beings
Close-Up on Danny Lyon
Take Two: Marianne of My Youth / Madhumati
Nashville
Close-Up on Chantal Akerman
REVIEW
Dreams of a Nation: On Palestinian Cinema
By
Sheila Whitaker
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Vertigo Café: The Critic as Litigant
By
Julian Petley
ARTICLE
Duality of Light
By
Wendy Walker
POEM
I Wanted
By
Roque Dalton
INTERVIEW
Being Hal Ashby
By
Lee Hill
ARTICLE
Visual Art and the Moving Image
By
James Swinson
ESSAY
Empires of Tin
By
Jem Cohen
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