Archives

By David Johnson

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Writing Red Riding

By Tony Grisoni

ARTICLE

Hollywood and the Difficulties of Being English

By Fiona Shaw

INTERVIEW

Science and its Signs

By James Leahy

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

By Libby Saxton

ARTICLE

The Feeling of a Story

By Mathieu Copeland

ARTICLE

Penda’s Fen

By Victoria Childs

INTERVIEW

The London Film School at 50

By Robert Chilcott

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

By Elke de Wit

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Jules and Jim

Unrest

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Reality and Depth: Reflections on Art and Faith, Mind and the World

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Why and for Whom Do We Film Today?

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Writing Red Riding

ARTICLE

Hollywood and the Difficulties of Being English

INTERVIEW

Science and its Signs

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

ARTICLE

The Feeling of a Story

ARTICLE

Penda’s Fen

INTERVIEW

The London Film School at 50

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People who Move to the City either Become Arrogant or Scoundrels

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

QUESTION AND ANSWER

The Patagonian Hare

Close-Up on Akira Kurosawa