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ARTICLE
Lights, Camera, Military Action…
By
Guy Westwell
ARTICLE
Guy Maddin’s History of Cinema
By
Fergal Byrne
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Japanese Documentaries Take Tokyo
By
Fujioka Asako
ARTICLE
The Chronos Project
By
Malcolm Le Grice
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
ARTICLE
Jonah After the Year 2000: How to Live and Love, Then and Now
By
Joanne Barkan
The Liberated Film Club II with Xiaolu Guo
Eternity and a Day: A Tribute to Bruno Ganz
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
MANIFESTO
The Double {+} Anchor: Notes Towards a Common Cause
By
Jem Cohen
ARTICLE
Alfredo Garcia and Other Peckinpah Tales
By
Lee Hill
ESSAY
Silence Explains Nothing
By
Stefan Grissemann
INTERVIEW
After the Garden
By
Julian Ross
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