Archives

By James Leahy

REVIEW

The Disappearance of Finbar II

By Sean Cubitt

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

ARTICLE

Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

By Gareth Evans

INTERVIEW

God Exists in Cinema, and Nowhere Else

By John Bradburn

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

ARTICLE

Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway

By Stephen Barber

ARTICLE

Not Waving... Just Drowning! Vertigo, The Bastards and the Grandchildren of Marx & Coca-Cola

By James Leahy

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

ARTICLE

Between Land and Sea: Art and the Bigger Picture

By Steven Ball

ARTICLE

So Hot Right Now

By Ben Slater

REVIEW

The Eventless and the Event

By Steven Eastwood

ARTICLE

He Wanted to Make Movies the Way Everybody Else Does!

By Steven Sprung

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Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

INTERVIEW

God Exists in Cinema, and Nowhere Else

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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I Long for Stalin and I Want Good Violence

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Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway

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Not Waving... Just Drowning! Vertigo, The Bastards and the Grandchildren of Marx & Coca-Cola

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All my Eye and Aristotle: Editing European Films

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Between Land and Sea: Art and the Bigger Picture

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The Eventless and the Event

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He Wanted to Make Movies the Way Everybody Else Does!