Archives

By Marc Karlin, James Leahy and Julian Petley

ARTICLE

Two Views of Cannes: Virginia Heath, Goes to the Market

By Virginia Heath

ARTICLE

Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

By Gareth Evans

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

By Elke De Wit

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

By Piotr Cieplak

EDITORIAL

Volume 1 - Issue 9 - For Marc... For Memory…?

By James Leahy

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

By Felicity Sparrow

ARTICLE

Driessen: Multiple Image and Audience Expectation

By Ruth Lingford

REVIEW

Framing a Sadness

By Paul Buck

ARTICLE

Celluloid Singapore

By Ben Slater

REVIEW

The Andrei Tarkovsky Companion

By Gareth Evans

ARTICLE

Recommendations from the Exhibition and Distribution Committee

By Helen de Witt

EDITORIAL

Volume 3 - Issue 3 - Editorial

By Holly Aylett

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Film Talks: A Touring Programme of Experimental Cinema

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Stuart Hood Part II

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Two Views of Cannes: Virginia Heath, Goes to the Market

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Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

EDITORIAL

Volume 1 - Issue 9 - For Marc... For Memory…?

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

ARTICLE

Driessen: Multiple Image and Audience Expectation

REVIEW

Framing a Sadness

ARTICLE

Celluloid Singapore

REVIEW

The Andrei Tarkovsky Companion

ARTICLE

Recommendations from the Exhibition and Distribution Committee

EDITORIAL

Volume 3 - Issue 3 - Editorial