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ARTICLE
Optimism at Point of No Return: Dan Walwin and the Implications of Landscape
By
Gareth Evans
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
EDITORIAL
Volume 1 - Issue 9 - For Marc... For Memory…?
By
James Leahy
ARTICLE
Light Illusions Artists and Cinema; Filmmakers and Galleries
By
Felicity Sparrow
ARTICLE
Driessen: Multiple Image and Audience Expectation
By
Ruth Lingford
REVIEW
Framing a Sadness
By
Paul Buck
ARTICLE
Celluloid Singapore
By
Ben Slater
REVIEW
The Andrei Tarkovsky Companion
By
Gareth Evans
ARTICLE
Recommendations from the Exhibition and Distribution Committee
By
Helen de Witt
EDITORIAL
Volume 3 - Issue 3 - Editorial
By
Holly Aylett
REVIEW
Andrzej Munk's The Passenger
By
David Balfour
ARTICLE
“Somewhere as Yet Undiscovered”: Thoughts on Power, Desk Killing and Resistance
By
Dan Gretton
DOCUMENT
For Tomorrow’s Witness
By
The filmmakers of Lebanon
|
Israel
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
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