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By Stephen Daltry

The Lovers on the Bridge

ARTICLE

Mongrel Nation

By David Rudkin

Agnès Varda: Gleaning Truths

INTERVIEW

The Daniel Langlois Foundation: Where Art Meets Science in the New Technologies

By Holly Aylett

ARTICLE

Oska Bright at CINECITY, Brighton

By Jonathan Lemon

Renewal: Artists’ Moving Image from New Zealand

I Can't Sleep

ARTICLE

The Moon and the Sledgehammer

By Andrew Kötting

REVIEW

Paris, Je t’aime: A Declaration of Love to Cinema

By Louise Hurtel

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

ARTICLE

Faith in the Audiovisible: Into Great Silence and Devotional Cinema

By Catherine Lupton

Close-Up on Ryûsuke Hamaguchi

ARTICLE

Whither the Avant-Garde: The ICA Biennial

By Chris Petit

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A Fleeting Passage to the Orient

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The Lovers on the Bridge

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Mongrel Nation

Agnès Varda: Gleaning Truths

INTERVIEW

The Daniel Langlois Foundation: Where Art Meets Science in the New Technologies

ARTICLE

Oska Bright at CINECITY, Brighton

Renewal: Artists’ Moving Image from New Zealand

I Can't Sleep

ARTICLE

The Moon and the Sledgehammer

REVIEW

Paris, Je t’aime: A Declaration of Love to Cinema

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

ARTICLE

Faith in the Audiovisible: Into Great Silence and Devotional Cinema

Close-Up on Ryûsuke Hamaguchi

ARTICLE

Whither the Avant-Garde: The ICA Biennial