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DOCUMENT

The Abingdon Film Unit

By Jeremy Taylor | Michael Grigsby

INTERVIEW

The London Film School at 50

By Robert Chilcott

ARTICLE

Intimate Distance: On Moving Images in Live Performance

By Jack McNamara

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

By Owen Armstrong

ARTICLE

21st August 1968: Remembering Resistance

By Jiřina Vojáčková

INTERVIEW

Chaos Theories

By Mar Diestro-Dopido

ARTICLE

Time Unfolding: Picture This and the Production of the Image

By Lucy Reynolds

SCRIPT

Roma

By Deborah Levy

INTERVIEW

Scott Walker: Far from Drifting

By Stephen Kijak

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

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DOCUMENT

The Abingdon Film Unit

INTERVIEW

The London Film School at 50

ARTICLE

Intimate Distance: On Moving Images in Live Performance

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

ARTICLE

21st August 1968: Remembering Resistance

INTERVIEW

Chaos Theories

ARTICLE

Time Unfolding: Picture This and the Production of the Image

SCRIPT

Roma

INTERVIEW

Scott Walker: Far from Drifting

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

QUESTION AND ANSWER

Five Broken Cameras

QUESTION AND ANSWER

(Wo)Man with Mirror

Close-Up on the Coen Brothers

The Exquisite Corpus

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