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The Liberated Film Club
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Histoire(s) du cinéma
REVIEW
Telling it Like it (Actually) Is
By
Gabriel Carlyle
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
Close-Up on New Hollywood
INTERVIEW
Love Is the Devil
By
John Maybury and Ben Gibson
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ARTICLE
My Father’s Country
By
Maryclare Foá
ARTICLE
London: A Metaphysical Mirror
By
Adam Kossoff
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
INTERVIEW
The Silent Majority
By
Owen Armstrong
ARTICLE
On Civil Defence and the Staging of Modern Politics
By
Patrick Wright
ARTICLE
Scene Afresh
By
Osama Qashoo
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
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