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By Thessa Mooij

ESSAY

''See You at Mass, Johnny''

By Iain Sinclair

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Sue Clayton & Laura Mulvey: Towards Other Cinemas

ARTICLE

The Atrocity Exhibition: A Director's Statement

By Jonathan Weiss

INTERVIEW

Love Is the Devil

By John Maybury and Ben Gibson

ARTICLE

Filmosophy: Re-imagining the Moving Image

By Tereza Hadravova

Close-Up on Michael Haneke

Wind from the East

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

REVIEW

Thoughts on Screen

By Catherine Elwes

Shadows of Forgotten Ancestors

REVIEW

Love Is the Devil

By Nancy Harrison

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The Window + And the Pig Was Born

INTERVIEW

The Berlin Talent Campus: Playing in the Pregnant Oyster

ESSAY

''See You at Mass, Johnny''

ARTICLE

Shadows of Sergei Paradjanov

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Sue Clayton & Laura Mulvey: Towards Other Cinemas

ARTICLE

The Atrocity Exhibition: A Director's Statement

INTERVIEW

Love Is the Devil

ARTICLE

Filmosophy: Re-imagining the Moving Image

Close-Up on Michael Haneke

Wind from the East

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

REVIEW

Thoughts on Screen

Shadows of Forgotten Ancestors

REVIEW

Love Is the Devil