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ARTICLE
The Critic as Censor
By
Julian Petley
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
INTERVIEW
Food for Ravens
By
Marc Karlin
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg and Chris Williams
ARTICLE
Reading the Darkness
By
James Rose
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ARTICLE
Drive, He Said
By
Gareth Evans
INTERVIEW
The Quiet Genius of Victor Erice
By
Geoff Andrew
ARTICLE
Confluences
By
James Clarke
REVIEW
Tony Sinden: Everything Must Go – Installation, Video and Film
By
Lucy Reynolds
ARTICLE
Guy Maddin’s History of Cinema
By
Fergal Byrne
LETTER
A Letter to a Boy from his Mother
By
Tilda Swinton
ARTICLE
The Return of Robert Nelson
By
George Clark
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
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