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By John Mepham

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

The Critic as Censor

By Julian Petley

Close-Up on Michael Haneke

ARTICLE

Only Connect

By Sukhdev Sandhu

All Memories Were Once Strange

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

By Sophie Mayer

ARTICLE

Love You to Death

By Rosy Rockets

ARTICLE

Vertigo Café

ARTICLE

Visual Art and the Moving Image

By James Swinson

ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

By Iain Sinclair

INTERVIEW

The Silent Majority

By Owen Armstrong

INTERVIEW

Science and its Signs

By James Leahy

INTERVIEW

A Passion for Images: Marc interviewed for BBC Radio 3

By Patrick Wright

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Why and for Whom Do We Film Today?

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The Critic as Censor

Close-Up on Michael Haneke

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Only Connect

All Memories Were Once Strange

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The Empire’s New Clothes: Sally Potter’s RAGE

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Love You to Death

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Vertigo Café

ARTICLE

Visual Art and the Moving Image

ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

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The Silent Majority

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Science and its Signs

INTERVIEW

A Passion for Images: Marc interviewed for BBC Radio 3