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ARTICLE
Dancing at the Crossroads
By
Sue Clayton
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Vertigo Café: 'Screen Griots' African Cinema in London
By
Michael Chanan
ARTICLE
Two Men with Flowering Branches
By
Graeme Hobbs
REVIEW
Rabbit Unrest
By
Joy Damousi
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
ARTICLE
Dance of the Wind: Biography of a Colonised Heart
By
Rajan Khosa
ARTICLE
Wake Up, Freak Out – Then Get a Grip
By
Leo Murray
ARTICLE
Expanded Cinema
By
Duncan White
ARTICLE
Making the Political Personal
By
Owen Armstrong
EDITORIAL
Volume 2 - Issue 1 - Vertigo’s Back
By
Vertigo
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
REVIEW
Eye Candy or New Indie Cinema?
By
Holly Aylett
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