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By Julian Petley, James Leahy

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

ARTICLE

Hotel Diaries: John Smith Makes Room for Reflection

By Ian Christie

MANIFESTO

Kino Korrespondence

By Ken McMullen

ARTICLE

On the Po

By Rosy Rockets

ARTICLE

Writing Red Riding

By Tony Grisoni

REVIEW

So, Nu?: Questioning Jewish Autobiographical Documentary

By Sophie Mayer

REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber

ARTICLE

All in the Script? Then Why Make the Movie!

By James Leahy

ARTICLE

Digital Futures: Independents' Day

By Susan Picken

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

By Libby Saxton

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