Archives

By Laurence Remila

ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

ARTICLE

The Persistence of Vision

By Peter Sainsbury

INTERVIEW

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

By William Fowler

ESSAY

Legalised Piracy

By Julian Petley

Anna

Cinema of the Self: Personal Documentary in Japan

REVIEW

The Bigger Picture

By Jason Wood

ARTICLE

The State of Documentary

By Michael Chanan

ARTICLE

In the National Interest?: Questions of Independence in Indian Cinema

By Gayatri Chatterjee

INTERVIEW

The Daniel Langlois Foundation: Where Art Meets Science in the New Technologies

By Holly Aylett

ARTICLE

Sex, Violence and Politics – Japanese Style

By Jasper Sharp

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

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Histoire(s) du cinéma

ARTICLE

Godard's Sons: Why Are they all Bastards?

ARTICLE

I Long for Stalin and I Want Good Violence

REVIEW

A. L. Rees's A History of Experimental Film and Video

ARTICLE

The Persistence of Vision

INTERVIEW

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

ESSAY

Legalised Piracy

Anna

Cinema of the Self: Personal Documentary in Japan

REVIEW

The Bigger Picture

ARTICLE

The State of Documentary

ARTICLE

In the National Interest?: Questions of Independence in Indian Cinema

INTERVIEW

The Daniel Langlois Foundation: Where Art Meets Science in the New Technologies

ARTICLE

Sex, Violence and Politics – Japanese Style

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art