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ARTICLE
Optimism at Point of No Return: Dan Walwin and the Implications of Landscape
By
Gareth Evans
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
ARTICLE
From Darkness into Light: Policies for Audiovisual Development in Africa
By
Rasmane Ouedraougu
MANIFESTO
Oblique Viewing
By
Alia Syed
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ESSAY
Letter from Lamerica: (Com)Promised Lands
By
Áine O’Healy
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
Return of the Real: Introducing The Artists Cinema
By
George Clark
ARTICLE
The Saragossa Manuscript and The Recording Angel Ensemble
By
Owen Armstrong
INTERVIEW
An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema
By
Jason Wood
ARTICLE
Pécs: New Waves from the East
By
Steven Yates
INTERVIEW
As I See You You See Me
By
Julian Ross
Close-Up Cinema Year 1
The Unveiled
The Liberated Film Club V with Athina Tsangari
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