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Apostles, Arabesques and Spells: Seven Recent Films in the Millennium Film Journal
OBITUARY
When Faces Counted Most
By
Noah Isenberg
Edge of Frame: Collision #2
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
Benny’s Video
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
Lindsay Anderson Notes
By
John Anderton
ARTICLE
Visual Art and the Moving Image
By
James Swinson
ARTICLE
Marvo Man
By
William Fowler
REVIEW
Redacted: The Invisible Film on the ‘Invisible’ War
By
the Celluloid Liberation Front
ARTICLE
Iranian Impromptu
By
Jack McNamara
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Between Land and Sea: Art and the Bigger Picture
By
Steven Ball
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
ARTICLE
Factual Format or Documentary?
By
Edward Milner
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