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ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Decolonizing the Mind
By
James Neil
Take Two: Zero for Conduct / The 400 Blows
ARTICLE
Skin Deep
By
Lee Hill
ARTICLE
''What you get is exactly what you see'': Denis Lenoir, Director of Photography
By
Jean-Michel Frodon
The 400 Blows
ESSAY
Broken Trust of the Image
By
Dai Vaughan
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
Histoire(s) du cinéma
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
Agnès Varda: Gleaning Truths
ARTICLE
Three Nations Cinema?
By
Jerry White
INTERVIEW
End Zone: Moral Tales for our Times in Cristi Puiu’s The Death of Mister Lazarescu
By
Robert Chilcott
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