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ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
EDITORIAL
Volume 1 - Issue 5 - Editorial
By
Vertigo
ARTICLE
Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production
By
Richard Taylor
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
Regeneration? Part II: The Lux Centre: Eastward Ho!
By
Sarah Turner
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
ARTICLE
On the Po
By
Rosy Rockets
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
ARTICLE
Hollywood and the Difficulties of Being English
By
Fiona Shaw
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ARTICLE
The Man from London
By
John Bradburn
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
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