HomeFilm ProgrammesLibraryMembershipVenue HireVertigo MagazineArchive

Related Items

prev-35-36-37-38-39-40-41-42-43-next
LETTER

A Letter to a Boy from his Mother

By Tilda Swinton
ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa
ARTICLE

Older Women in Feature Films

By Rina Rosselson
INTERVIEW

Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics

By Robert Chilcott
INTERVIEW

The More Desperate We Are, the More Hope There Is

By Robert Chilcott
ARTICLE

Reading the Modern: Narratives in Cinema and Literature

By Dorota Ostrowska
REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

By John Gorick
ESSAY

'68, Once Again: Image Preservation and the Women's Movement

By Helke Sander
ESSAY

Revolutionary Space: The Situationist Excursions of 1968

By David Pinder
ARTICLE

Culture Clash: On Editing and Korean Refugees

By Daniel Greenway
ESSAY

"but i still haven’t figured out the meaning of life." Notes on Jan Peters’ Cycle of Short Films I Am...

By Claus Löser
ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper
QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

Looking in and out: The Films of Nick Collins

Take Two: Blue Velvet / Scorpio Rising

prev-35-36-37-38-39-40-41-42-43-next

Close-Up Film Centre
97 Sclater Street
London E1 6HR
+44 (0)20 3784 7970
info@closeupfilmcentre.com
Open Monday to Sunday: 12:00 - 12:00

Call
Send SMS
Add to Skype
You'll need Skype CreditFree via Skype
About
Contact Us
Terms & Conditions
Privacy Policy
Cookie Policy
Disclaimer
new_facebook.png  nem_twitter.png instagram.png new_rss.png
Click Here to Sign Up to our Mailing List
All rights reserved © CLOSE-UP 2011 - 2025