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ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

ESSAY

''See You at Mass, Johnny''

By Iain Sinclair

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

Take Two: Eyes Without a Face / The Skin I Live in

Ma l’amore mio non muore!

Sex, Politics, Art and Revolution: French Cinema in 1968

Happy End

INTERVIEW

Searching for the Heart of Memory

By Nancy Harrison

REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber

ARTICLE

Skin Deep

By Lee Hill

ARTICLE

Putting on the Red Shoes: A Tango with the Camera

By Sophie Mayer

OBITUARY

The Ghost of Goto: Walerian Borowczyk Remembered

By Daniel Bird

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ARTICLE

BFI Films: A Remit for Cultural Diversity

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

ESSAY

''See You at Mass, Johnny''

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

Take Two: Eyes Without a Face / The Skin I Live in

Ma l’amore mio non muore!

Sex, Politics, Art and Revolution: French Cinema in 1968

Happy End

Happy End

INTERVIEW

Searching for the Heart of Memory

REVIEW

Pasolini and Sade: A Maleficent Obsession

ARTICLE

Skin Deep

ARTICLE

Putting on the Red Shoes: A Tango with the Camera

OBITUARY

The Ghost of Goto: Walerian Borowczyk Remembered

Close-Up on Robert Bresson