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ESSAY
Entering the Desert: The Book of Film Socialisme
By
James S. Williams
Close-Up on Michael Haneke
Take Two: Hiroshima Mon Amour / Amour
Happy End
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Diary of a Country Priest
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
ESSAY
''See You at Mass, Johnny''
By
Iain Sinclair
ESSAY
The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952
By
Louis Benassi
Take Two: Eyes Without a Face / The Skin I Live in
Ma l’amore mio non muore!
Sex, Politics, Art and Revolution: French Cinema in 1968
Happy End
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