Archives

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

QUESTION AND ANSWER

Remake

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

Close-Up on Michael Haneke

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Matthias Müller Early Film Works

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

INTERVIEW

Raúl Ruiz: Hypothesis and Enigma

By George Clark

INTERVIEW

The More Desperate We Are, the More Hope There Is

By Robert Chilcott

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

Related Items

ESSAY

Three Images of May: Cinema and the Uprising

QUESTION AND ANSWER

Remake

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

Close-Up on Michael Haneke

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Matthias Müller Early Film Works

ARTICLE

I Like the FID and the FID Likes Me

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

INTERVIEW

Raúl Ruiz: Hypothesis and Enigma

INTERVIEW

The More Desperate We Are, the More Hope There Is

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

The Diary of a Country Priest

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Walerian Borowczyk: Obscure Pleasures

Hidden