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Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
Matthias Müller Early Film Works
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
INTERVIEW
Raúl Ruiz: Hypothesis and Enigma
By
George Clark
INTERVIEW
The More Desperate We Are, the More Hope There Is
By
Robert Chilcott
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
The Diary of a Country Priest
Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
Walerian Borowczyk: Obscure Pleasures
Hidden
Close-Up on Michael Haneke
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
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