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ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
ESSAY
The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952
By
Louis Benassi
ARTICLE
Illuminating the Evidence
By
James Riley
Take Two: Eyes Without a Face / Remake
Close-Up on Michael Haneke
Take Two: Hiroshima Mon Amour / Amour
Close-Up on Orson Welles
Sex, Politics, Art and Revolution: French Cinema in 1968
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Happy End
Content Anxiety: Programme One
Films That Fuck
ARTICLE
Mondial
By
Alan Fountain
ARTICLE
Impossible Cinema
By
Robert Barry
ARTICLE
Marvo Man
By
William Fowler
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