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A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Close-Up on Danny Lyon
REVIEW
Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994
By
Nicky Hamlin
INTERVIEW
Love Is the Devil
By
John Maybury and Ben Gibson
REVIEW
John Hill's British Cinema in the 1980s
By
Gill Henderson
ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
REVIEW
Mapping Difficult Ground
By
Sophie Mayer
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
QUESTION AND ANSWER
Five Broken Cameras
By
Elizabeth Wood
Stroszek
Untold Stories
Open City Documentary Festival – The Art of Non-Fiction
Mascara #32
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
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