Archives

By John Mepham

ARTICLE

Gluttonous Anniversary

By Celluloid Liberation Front

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

By Will Stone

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

INTERVIEW

Love Is the Devil

By John Maybury and Ben Gibson

REVIEW

The Main Course

By the Celluloid Liberation Front

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

ARTICLE

Signal Fires at the Crossroads

By Jem Cohen

ARTICLE

Letter from Jihlava

By Rajesh Thind

ARTICLE

Africa in Motion

By Mark Cousins

MANIFESTO

Nineteen Hopes for an Activist Cinema

By Jem Cohen

INTERVIEW

Chaos Theories

By Mar Diestro-Dopido

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

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Together: Overlapping Histories, Friendships & Dialogues

Close-Up on Chantal Akerman

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Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

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Gluttonous Anniversary

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

INTERVIEW

Love Is the Devil

REVIEW

The Main Course

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

ARTICLE

Signal Fires at the Crossroads

ARTICLE

Letter from Jihlava

ARTICLE

Africa in Motion

MANIFESTO

Nineteen Hopes for an Activist Cinema

INTERVIEW

Chaos Theories

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films