Archives

ARTICLE

Till the Cows Come Home...

By Nick May

ARTICLE

The Cinematic Tango: Contemporary Argentine Film

By Tamara Falicov

ARTICLE

Putting on the Red Shoes: A Tango with the Camera

By Sophie Mayer

ARTICLE

Letter from Ouagadougou: On Fespaco’s Fringe

By Graeme McElheran

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

By Doc House

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

By Martin Carter

LETTER

Rue Des Canettes: A Story of Paris

By Eugène Green

ARTICLE

“Somewhere as Yet Undiscovered”: Thoughts on Power, Desk Killing and Resistance

By Dan Gretton

ARTICLE

Screaming Queens

By Gareth Buckell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

QUESTION AND ANSWER

(Wo)Man with Mirror

Abandoned Archives and Forgotten Histories Remembered

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

Related Items

ARTICLE

Till the Cows Come Home...

ARTICLE

The Cinematic Tango: Contemporary Argentine Film

ARTICLE

Putting on the Red Shoes: A Tango with the Camera

ARTICLE

Letter from Ouagadougou: On Fespaco’s Fringe

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

LETTER

Rue Des Canettes: A Story of Paris

ARTICLE

“Somewhere as Yet Undiscovered”: Thoughts on Power, Desk Killing and Resistance

ARTICLE

Screaming Queens

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

INTERVIEW

At Least I Will Know My Face

QUESTION AND ANSWER

(Wo)Man with Mirror

Abandoned Archives and Forgotten Histories Remembered

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

Fireflies Issue #4: Pedro Costa / Ben Rivers Launch + What Means Something & Sack Barrow