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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
The Liberated Film Club VIII with Adam Christensen
New Zealand Artists’ Film: Apple Pie
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
Performance Films II
SCRIPT
Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006
By
Tanya Singh
ARTICLE
Film Frame to Skin Cell
By
Niamh McDonnell
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
Gustav Deutsch: Film Ist. [1-12]
November Film Festival Programme 6
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ESSAY
Passenger: Reflections on the Unfinished Film of Andrzej Munk
By
Dai Vaughan
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