Archives

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

By William Fowler

INTERVIEW

Stuart Hood Part II

By Marc Karlin, James Leahy and Julian Petley

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

VIDEO

The West Stone

By By Pepe Baena and Margaret Dickinson

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

By Martin Carter

REVIEW

Paradoxes of Peace or the Presence of Infinity

By Nicholas Mosley

ESSAY

Broken Trust of the Image

By Dai Vaughan

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

By Frances Guerin and Roger Hallas

ESSAY

Kira Muratova’s Searing World

By Elena Gorfinkel

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

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INTERVIEW

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

INTERVIEW

Stuart Hood Part II

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

VIDEO

The West Stone

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

REVIEW

Paradoxes of Peace or the Presence of Infinity

ESSAY

Broken Trust of the Image

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

ESSAY

Kira Muratova’s Searing World

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme