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Close-Up on Maya Deren
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
INTERVIEW
The London Film School at 50
By
Robert Chilcott
ESSAY
The Dark Side of the Moon: The Global Media Crisis
By
Peter Watkins
INTERVIEW
Interview with Kenith Trodd for Vertigo July 1996
By
Vertigo
Battleship Potemkin
All Memories Were Once Strange
REVIEW
Paradoxes of Peace or the Presence of Infinity
By
Nicholas Mosley
ESSAY
Broken Trust of the Image
By
Dai Vaughan
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
ESSAY
Kira Muratova’s Searing World
By
Elena Gorfinkel
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
Informe General II
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