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ARTICLE

Why the Documentary Cinema?

By Henri Storck

ARTICLE

From Darkness into Light: Policies for Audiovisual Development in Africa

By Rasmane Ouedraougu

ESSAY

Narrative as Myth & Memory

By Aleksandar Dundjerovich

ARTICLE

Nothing Is True. Everything Is Permissible.

By John Bradburn

ARTICLE

Three Nations Cinema?

By Jerry White

ARTICLE

Emotional Locations: A Meeting with Ryuichi Hiroki

By Maggie Lee

ARTICLE

Nothing is More Bourgeois than Being Afraid to Look Bourgeois

By Robert Chilcott

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

By Elke de Wit

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

By Patricia Grzonka

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

INTERVIEW

Binka: To Tell a Story About Silence

By Sean Kaye-Smith

Related Items

ARTICLE

Why the Documentary Cinema?

ARTICLE

From Darkness into Light: Policies for Audiovisual Development in Africa

ESSAY

Narrative as Myth & Memory

ARTICLE

Nothing Is True. Everything Is Permissible.

ARTICLE

Three Nations Cinema?

ARTICLE

Emotional Locations: A Meeting with Ryuichi Hiroki

ARTICLE

Nothing is More Bourgeois than Being Afraid to Look Bourgeois

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

ESSAY

Three Images of May: Cinema and the Uprising

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

INTERVIEW

Binka: To Tell a Story About Silence

Close-Up on VALIE EXPORT

Non-linear: Magnets

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