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By Philippe Pilard

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

INTERVIEW

Science and its Signs

By James Leahy

POEM

Hideyhole and the Innersanctum

By Andrew Kötting

ARTICLE

Ecovisions: Seeing Animals in Recent Ethnographic Film

By Anat Pick

QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

Histoire(s) du cinéma

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Diary of a Country Priest

Close-Up on Michael Haneke

ARTICLE

House without a Door

By Bernd Behr

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Why and for Whom Do We Film Today?

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Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit