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By Philippe Pilard

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

INTERVIEW

Science and its Signs

By James Leahy

POEM

Hideyhole and the Innersanctum

By Andrew Kötting

ARTICLE

Ecovisions: Seeing Animals in Recent Ethnographic Film

By Anat Pick

QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

Histoire(s) du cinéma

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Diary of a Country Priest

Close-Up on Michael Haneke

Close-Up on Danny Lyon

ESSAY

Simone Weil: Notes on a Timid Cinema

By Anat Pick

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Why and for Whom Do We Film Today?

INTERVIEW

Science and its Signs

POEM

Hideyhole and the Innersanctum

ARTICLE

Ecovisions: Seeing Animals in Recent Ethnographic Film

QUESTION AND ANSWER

Five Broken Cameras

Histoire(s) du cinéma

Histoire(s) du cinéma

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

Diary of a Country Priest

Close-Up on Michael Haneke

Close-Up on Danny Lyon

ESSAY

Simone Weil: Notes on a Timid Cinema