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By Marc Karlin, James Leahy, Julian Petley

Open City Documentary Festival – The Art of Non-Fiction

LETTER

Dear Commissioning Editor: 10 Years of Channel 4

By Anne Cottringer

Innocence Unprotected: Reframing the World through Yugoslav Cinema

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

One Minute Volume 12

ARTICLE

What Was GATT About?

By Michael Chanan

Magic in Marimekko: Dick Arnall, Animate and the Manipulated Moving Image

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Edge of Frame: Collision #1

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

By Geoffrey Nowell-Smith

Red Desert

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

ARTICLE

The Mind's Eye: Chris Marker Level Five

By Allan Francovich

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Outside the Wire

Open City Documentary Festival – The Art of Non-Fiction

LETTER

Dear Commissioning Editor: 10 Years of Channel 4

Innocence Unprotected: Reframing the World through Yugoslav Cinema

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

One Minute Volume 12

ARTICLE

What Was GATT About?

Magic in Marimekko: Dick Arnall, Animate and the Manipulated Moving Image

ARTICLE

Why and for Whom Do We Film Today?

Edge of Frame: Collision #1

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

Red Desert

ARTICLE

Vertigo Café: Illuminating Cinematography

ARTICLE

The Mind's Eye: Chris Marker Level Five