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Close-Up on Orson Welles
Black Orpheus
Absent Forces: The Politics of the Eerie in English Rural Moving Image
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ARTICLE
London Eyes
By
Stephen Barber and Jeremy Reed
REVIEW
Godard as God?
By
Emilie Bickerton
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
'16': 16 Films | 16 Filmmakers | 16mm
Close-Up on Pier Paolo Pasolini
My Girlfriend's Boyfriend
ESSAY
Kira Muratova’s Searing World
By
Elena Gorfinkel
Edge of Frame: Brushwork: The Painted Animation
The Colour of Pomegranates
Ascent
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