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Take Two: Passage à l'Acte / To Kill a Mockingbird
ARTICLE
Dreaming of a World Without Evil
By
James Leahy
Guy Sherwin: Sound and Image
REVIEW
A. L. Rees's A History of Experimental Film and Video
By
Felicity Sparrow
Indefinite Visions Part II
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
DOCUMENT
Fragments from Zeroville
By
Chris Darke
In Reality
ARTICLE
Putting it on the Map
By
Alex Usborne
The View from Our House: Berlin / London
Performance Films II
INTERVIEW
Fries, Dam Lies and Videotape
By
Lizzie Gillett
Transgression
Shoot Shoot Shoot: Mare’s Tail
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
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