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ARTICLE
Extremes of Independence
By
Tetsuaki Matsue
ARTICLE
Japanese Documentaries Take Tokyo
By
Fujioka Asako
ARTICLE
Faith in the Audiovisible: Into Great Silence and Devotional Cinema
By
Catherine Lupton
ARTICLE
Older Women in Feature Films
By
Rina Rosselson
ARTICLE
Images for a Resistance: The Birth of Kurdish Television
By
Laura Davidson
The Liberated Film Club Presents Maiko Endo
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
ARTICLE
Raining Stones IV: For a Richer Vision of Poverty
By
John Akomfrah
ARTICLE
A Recipe for Nothing
By
Klaus Fried
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
ARTICLE
The Great Escape
By
Julian Petley
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
India Song
By
Ken McMullen
ARTICLE
Shadows of Sergei Paradjanov
By
James Norton
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