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INTERVIEW

Challenging the Censorship in Iran

By Parviz Jahed

ARTICLE

From Brit-Flicks to Shit-Flicks

By Julien Petley

QUESTION AND ANSWER

Remake

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

ARTICLE

Celluloid Singapore

By Ben Slater

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

By Libby Saxton

INTERVIEW

The Berlin Talent Campus: Playing in the Pregnant Oyster

By Thessa Mooij

Close-Up 10th Anniversary Party

Filmfarsi

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

By Brad Prager

SCRIPT

Script and Script Again

By Malcolm Mowbray

Suriname, Saarland and Surabaya: 3 Films by Karel Doing

ARTICLE

Adequate Imagery

By Paul Cronin

Related Items

INTERVIEW

Challenging the Censorship in Iran

ARTICLE

From Brit-Flicks to Shit-Flicks

QUESTION AND ANSWER

Remake

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

ARTICLE

Celluloid Singapore

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

INTERVIEW

The Berlin Talent Campus: Playing in the Pregnant Oyster

Close-Up 10th Anniversary Party

Filmfarsi

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

SCRIPT

Script and Script Again

Suriname, Saarland and Surabaya: 3 Films by Karel Doing

ARTICLE

Adequate Imagery

A Conversation Between Narcisa Hirsch and Chantal Akerman

Four Parts of a Folding Screen