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ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
ARTICLE
Alfredo Garcia and Other Peckinpah Tales
By
Lee Hill
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
REVIEW
Shorts... Cut
By
Metin Alsanjak
REVIEW
John Hill's British Cinema in the 1980s
By
Gill Henderson
SCRIPT
Script and Script Again
By
Malcolm Mowbray
ARTICLE
First World Film
By
Mark Cousins
ESSAY
‘Eyewitness’ Documentary and the Fabrication of ‘Truth’
By
Phil Gunson
ARTICLE
Occupation Rough Cut
By
Maysoon Pachachi
DIARY
High Artic, High Definition
By
SF Said
ARTICLE
Tokyo Slaughterhouse
By
Stephen Barber
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
INTERVIEW
Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics
By
Robert Chilcott
QUESTION AND ANSWER
Pawel Pawlikowski Masterclass: Between Documentary and Drama
By
Doc House
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