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ARTICLE
The Dance Macabre of Tony Manero
By
Lee Hill
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Beetleski
By
Rosy Rockets
REVIEW
John Hill's British Cinema in the 1980s
By
Gill Henderson
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
REVIEW
The Cunard Yanks
By
Sukhdev Sandhu
ARTICLE
In a Free State?
By
Gaylene Gould
REVIEW
Visionary Landscapes: The Films of Nina Danino
By
Althea Greenan
ARTICLE
The Return of Robert Nelson
By
George Clark
ARTICLE
Exploiting the Innocent Heroine
By
Elzemieke de Tiege
ARTICLE
Dreams of Distance: Bergman's Shame, a Borderlands View
By
Graeme Hobbs
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
Close-Up on VALIE EXPORT
Mika Taanila: A Survey
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